This tall clock case is the work of eminent Providence clock manufacturer Caleb Wheaton. Tall clock cases like this example were prized possessions of mid-eighteenth century American families. The bonnet of the case has a molded curved cresting that supports three fluted urn and flame finials. The bonnet is supported by two full and two half fluted pillars and the white painted dial is decorated with urn and scroll spandrels. The dial also includes the hour and second hands as well as a date register and the maker's name "Caleb Wheaton Providence". The door block and carved at top with a projecting carved shell, the plain base supported on ogee bracket feet.

Watercolor painting depicting John Goddard's house in the Easton's Point neighborhood of Newport, RI. The composition includes two houses and dock scene with beach. Written in pencil script, bottom right corner: Old Newport houses, 1865. In bottom left corner, in pencil: S.C.

A silver tankard with a tapering cylindrical barrel with molded lip and foot. It has an s-scroll handle parting from a drop motif and terminating in an oval shield. A dome cover with a spiral thumbpiece and formal bud finial cover the tankard. "LRP" is engraved on the handle and the scratchweight 29 ounces is marked on body and handle. Stamped with "SV" maker's mark on body and handle.

Commemorative clock depicting George Washington. With white enamel dial contained in a rectangular plinth surmounted by a gilt eagle with the motto "E Pluribus unum" flanked on the right by a standing figure of George Washington in military costume with inscription on swag, rectangular base with figural commemorative panel on the front of the base that depicts Washington as Cincinnatus, the famed citizen-statesman of Rome in the fifth century, B.C. The whole raised on engine turned bun feet, silk lining on interior of hinged works cover.

This armchair is one of a group of three that demonstrates a strong Dutch influence on some of the earliest furniture made in Newport, RI. It also speaks to connections, perhaps less well known, with local Native American craft production. Unique to the Whitehorne example is the braided cornhusk seat, possibly woven by local Wampanoag or Narragansett weavers. This is an unusual feature found in other early chairs associated with Little Compton, which remained a fairly isolated agricultural outpost into the twentieth century but had early ties through families such as the Browns, who owned this chair, to nearby Aquidneck Island and the urban centers of Portsmouth and Newport, as well as to local Native American craftsmen.
The red paint with gold decoration dates to the Victorian period; it covers a layer of blue paint, date unknown, but also not likely original.