NRF promotes and invests in the architectural heritage of the Newport community, the traditional building trades, and Doris Duke’s fine and decorative arts collections, for the enjoyment, education and inspiration of all.
As a leader in the preservation of early American architecture, NRF supports research and education in areas directly related to its collections and issues of critical concern to the field of historic preservation.
Tour Doris Duke’s art-filled mansion and enjoy panoramic ocean views from the extensive grounds, designed by Frederick Law Olmsted. Open April to November.
Experience the only museum in the world specializing in 18th-century Newport furniture and related decorative arts.
Explore 40 acres of open space, a tribute to the agrarian heritage of Aquidneck Island. The site is open daily from dawn to dusk for public enjoyment.
Newport Restoration Foundation holds one of the largest collections of period architecture owned by a single organization anywhere in the United States.
Celebrate excellence in historic preservation efforts within the City of Newport, Rhode Island.
Live amidst history by renting one of our many historic properties.
Help us to continue a lived-in legacy by becoming a Restoration Partner today.
Newport Restoration Foundation’s Whitehorne House Museum is the only museum in the world dedicated to displaying and exploring the artistry, history, and culture of 18th-century Newport furniture and related decorative arts.
Whitehorne House Museum is currently closed for the 2020 season. We anticipate reopening in May 2021. Please check the website for the most up to date information.
Visit our online museum store!
The products of the Newport Restoration Foundation Store celebrate the life and passions of our founder, Doris Duke. We invite you to explore our curated collections—including unique, one-of-a-kind pieces inspired by our museums’ design, collections, and stories— exclusively available here.
Click here to start shopping from home or visit shopnewportrestoration.org.
Visit our Group Tours page.
Wednesday – Sunday, 10:00 am – 4:00 pm, last admission at 3:30 pm
Children 12 & under: Free
Newport County, RI residents: Free
Combine Your Ticket
Purchase a combined ticket to both Whitehorne House Museum and Rough Point Museum for only $25!
416 Thames Street
401–846–4152 ext. 123
Limited metered parking available.
Carver Chair with braided cornhusk seat
Portrait of Timothy Orne by Joseph Badger
Porringer by John Otis
Portrait of Rebecca Taylor Orne by Joseph Badger
George Washington mantel clock
Side chair by John Townsend
This armchair is one of a group of three that demonstrates a strong Dutch influence on some of the earliest furniture made in Newport, RI. It also speaks to connections, perhaps less well known, with local Native American craft production. Unique to the Whitehorne example is the braided cornhusk seat, possibly woven by local Wampanoag or Narragansett weavers. This is an unusual feature found in other early chairs associated with Little Compton, which remained a fairly isolated agricultural outpost into the twentieth century but had early ties through families such as the Browns, who owned this chair, to nearby Aquidneck Island and the urban centers of Portsmouth and Newport, as well as to local Native American craftsmen.
The red paint with gold decoration dates to the Victorian period; it covers a layer of blue paint, date unknown, but also not likely original.
Commemorative clock depicting George Washington. With white enamel dial contained in a rectangular plinth surmounted by a gilt eagle with the motto "E Pluribus unum" flanked on the right by a standing figure of George Washington in military costume with inscription on swag, rectangular base with figural commemorative panel on the front of the base that depicts Washington as Cincinnatus, the famed citizen-statesman of Rome in the fifth century, B.C. The whole raised on engine turned bun feet, silk lining on interior of hinged works cover.
This is one of a pair of ball and claw foot side chairs in the Whitehorne House Museum collection, originally part of a larger set. They have served as the touchstone of what a typical Chippendale chair by John Townsend might look like. The overall effect of these chairs is one of strength. The base is particularly robust, with its boldly carved ball and claw feet and thick unchamfered rear legs joined soundly by block and ring turned stretchers; a standard feature of eighteenth-century Massachusetts and Rhode Island chairs. The arched section at the center of the crest rail is crosshatched, a favorite decorative device of Newport craftsmen. During the second half of the eighteenth century, chairs with interlaced c-scroll splats were popular with cabinetmakers along the east coast. The splats on this pair of side chairs are based on English printed prototypes, as was a common practice in each of the major colonial port cities.